When it comes to failure, nobody does it better than Hollywood. Bigger! Bolder! Cringeworthy on steroids! We can’t look away at turkeys like “Doctor Doolittle” (1967), “Rollerball” (2002) and “Catwoman” (2004), three duds dissected in Tim Robey’s “Box Office Poison.” The book starts near the dawn of cinema and takes us all the way up …
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